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Mstislav Rostropovich plays the Prelude from Bach's Cello Suite No. 1 in G major, BWV 1007. Filmed at the Basilique Sainte Madeleine, Vézelay, Yvonne, France in 1991.

FAQ (Frequently Asked Questions) for this video Q: Where can I get the sheet music for this piece? A: Sheet music for this can be found here: http://tinyurl.com/243oyo Q: Hey, what happened to my question/comment? A: Questions answered in the FAQ, and comments with nothing to do with the video ("spam"), are removed. If you posted a comment and don't know why it's gone, email me (stephen at musanim dot com) with "YouTube comment" in the subject line. Q: How did you make this video? A: You can read about it here: http://www.musanim.com/ProductionNotes/ToccataAndFugueInDMinor.html Q: What is the BWV number for this? A: BWV 565 Q: Can I get a DVD with this video (or others like it)? A: Yes: http://www.musanim.com/mam/video.html Q: Where can I see everything you've put online? A: This is a good place to start: http://www.musanim.com/watch/ Q: How can I make this kind of movie? A: Check out this: www.musanim.com/player/ Q: The audio/video isn't very good; can I get the original? A: Yes, you can get it here (you have to sign up, but then you can download it): http://www.vimeo.com/user=musanim/clips Q: Where can I read more about this piece? A: Here are a couple of places: http://www.musanim.com/pdf/ViewersGuideMAM1996.pdf http://en.wikipedia.org/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565 Q: Why does this piece of music remind me of horror movies? A: Because it was used in the 1962 version of The Phantom of the Opera. Before that, it did not have that connotation. When Walt Disney and Leopold Stokowski used it in the 1940 film Fantasia, they considered it to be a purely abstract piece --- "absolute music" --- which brought to mind expressionistic forms and lines. .

Bwv1007 Mischa Maisky

Bwv1048, Freiburg Baroque Orchestra

Sarah Chang: Violin Piano accompaniment

'Air' from "Suite No.3 in D major" Music my Johann Sebastian Bach (1685-1750)

Yo-Yo Ma plays the prelude from Bach´s Cello Suite No. 1. Inspired By Bach DVD no.1 "The Music Garden" Ayuden a este video a ser más visto que la interpretación del Preludio de Misha Maisky.

Kurt Ison, Sydney Town Hall. Edited and produced by Christopher Hayles, 2002.

Bach Double (Concerto for Two Violins in D minor)

Extracts from "The art of Piano" documentary show Glenn Gould playing J.S.Bach's Partita #2

J.S. Bach - Toccata und Fuge BWV 565 played by Hans-Andre Stamm

Koopman - Amsterdam Baroque Orchestra and Soloists

Paulinho Nogueira performing his beautiful arrangment of the well known Air on the G string by J. S. Bach.

Stereo: http://br.youtube.com/watch?v=oJsS_b39YOc&fmt=18 Johann Sebastian Bach (1685 - 1750). Cantata "Ich Habe Genug" (BWV 82): 1. Arie: Ich habe genug, Ich habe den Heiland, das Hoffen der Frommen, Auf meine begierigen Arme genommen; Ich habe genug! Ich hab ihn erblickt, Mein Glaube hat Jesum ans Herze gedrückt; Nun wünsch ich, noch heute mit Freuden Von hinnen zu scheiden. 1. Aria: I have enough, I have taken the Savior, the hope of the righteous, into my eager arms; I have enough! I have beheld Him, my faith has pressed Jesus to my heart; now I wish, even today with joy to depart from here. Ensemble Sonnerie. Soprano: Nancy Argenta. Dir: Monica Huggett. Ich habe genug (I have enough) is a cantata by Johann Sebastian Bach. In Wolfgang Schmieder's catalogue of Bach's works, it is BWV 82. It was written in Leipzig for the Feast of the Purification on 2 February 1727. The Purification commemorates an incident recorded by St. Luke in which Mary takes the baby Jesus to the temple in Jerusalem to offer ritual sacrifices. The piece is written for oboe, strings, basso continuo and bass soloist. Other versions exist for soprano (as BWV 82a) with the oboe part replaced by flute and slightly altered. In modern practice, the bass part is sometimes replaced by an alto and the soprano is sometimes replaced by a tenor. Several movements from this cantata can be found transcribed in the Notebook for Anna Magdalena Bach, transposed up a tenth so that they are singable by a low soprano, presumably done by Anna Magdalena Bach for her own use.

rare and filmed in 1954 in the Abbaye Saint-Michel-de-Cuxa - i hope i can make some cello lovers happy with this "document"

Sungha plays 'Air on a G-String' arranged by Peo Kindgren.

Ton Koopman, Amsterdam Baroque Orchestra

Glenn Gould plays and conducts Bach's Brandenburg Concerto No.5 III. Allegro

Stereo: http://tinyurl.com/Bach01 Visit us on Facebook for more videos and concert info http://tinyurl.com/66tqaw Bach's timeless work, performed on original instruments by Voices of Music and accompanied by a montage of the most beautiful images of deep space. Featuring Elizabeth Blumenstock and Katherine Kyme, baroque violins; Lisa Grodin, baroque viola, Joanna Blendulf, baroque cello; William Skeen, violone; Hanneke van Proosdij, chamber organ; David Tayler, theorbo. NB: High definition version with stereo sound here: http://tinyurl.com/3cbu87 Listen for free to our Bach CD at http://magnatune.com/artists/albums/voicesofmusic-bach/ Or buy at Amazon http://tinyurl.com/airGstring

Glenn Gould playing Bach's Goldberg Variations

Amazing...

Glenn Gould plays J.S.Bach Piano Concerto No.7 in G minor BWV1058

Ton Koopman, Amsterdam Baroque Orchestra

www.cdbaby.com/cd/projectmusic Johann Sebastian Bach's (1685-1750) Badinerie from his Orchestral Suite No. 2 in B minor for flute and strings, BWV 1067 brooklyn, city of dreams... whatisproject.org

Promo video and interview clips of Hilary Hahn recording Bach with Jeffrey Kahane and the Los Angeles Chamber Orchestra. Artists: Hilary Hahn, violin Los Angeles Chamber Orchestra Jeffrey Kahane, conductor Recording Information: Recordings: Los Angeles, The Colburn School of Performing Arts, The Herbert Zipper Concert Hall, 10/2002 (BWV 1042, 1043); 1/2003 (BWV 1041, 1060) Executive Producer: Martin T:son Engstroem Recording Producer: Thomas Frost Balance Engineer: Tom Lazarus Recording Engineer: Marc Stedman